Press reviews

Gretel, ENO/Regents Park 2019

“Above all, the mezzo-soprano Rachel Kelly and soprano Susanna Hurrell, singing the title roles of the children lost in the forest, were unbeatable: credible, touching, and terrific actors and singers who know when to stop. Both have burgeoning careers at the Royal Opera House and elsewhere. They were transformed beyond recognition here, lanky, ageless children in denim dungarees and check shirts.”

Fiona Maddocks, Guardian

Cleopatra, English Touring Opera 2020

“But, as it should be, the evening was dominated by Susanna Hurrell’s Cleopatra. Tall and imperiously beautiful, Hurrell charted Cleopatra’s journey from frivolous sex kitten to commanding queen. Her vibrant, agile lyric soprano easily encompassed the demands of the role, from a wonderfully lush “V’adoro pupille” to an athletic “Da tempeste”. Best of all, though, were her two central laments, devastatingly vulnerable and daring in her pianissimo high notes. A queen to conquer Caesar, but also the entire audience.”

Kevin W Ng, Bachtrck

Norina, Longborough Festival Opera, 2015

“Indeed, almost every appearance of Susanna Hurrell as Norina was a highlight. She is a soprano with the whole package. Her beautiful voice is multi-faceted, powerful and expressive. Moreover, she owns the stage with terrific charismatic presence and acting ability, and her quick wit in interpreting Norina had me chuckling aloud on several occasions.”

Robert Gainer, Bachtrack